Style The Michelle Obama portrait is striking — and so is the gown she wore for it. This is its story.

12:35  13 february  2018
12:35  13 february  2018 Source:   washingtonpost.com

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The Michelle Obama portrait is striking — and so is the gown she wore for it . This is its story . In the portrait , Obama wears a gown by Michelle Smith’s fashion line, Milly. (Matt McClain/The Washington Post).

[ The Michelle Obama portrait is striking — and so is the gown she wore for it . This is its story .] Philip Kennicott Philip Kennicott is the Pulitzer Prize-winning art and architecture critic of The Washington Post.

a group of people standing in a room: Michelle Obama and Amy Sherald, left, at the unveiling of Sherald’s portrait of the former first lady at the National Portrait Gallery on Monday. In the portrait, Obama wears a gown by Michelle Smith’s fashion line, Milly. (Matt McClain/The Washington Post) © Provided by WP Company LLC d/b/a The Washington Post Michelle Obama and Amy Sherald, left, at the unveiling of Sherald’s portrait of the former first lady at the National Portrait Gallery on Monday. In the portrait, Obama wears a gown by Michelle Smith’s fashion line, Milly. (Matt McClain/The Washington Post) NEW YORK — Designer Michelle Smith was standing in the middle of a jean shop in the Marais neighborhood of Paris when her publicist called to tell her that Michelle Obama’s official portrait had been unveiled at the National Portrait Gallery and the former first lady was wearing Smith’s dress in the painting.

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Criticism of Michelle Obama ’s portrait centered around two points. The face didn’t look much like her ; some suggested it more closely resembles Kerry Washington, who plays a high-powered White House operative on Scandal. And the face—whoever it belonged to—was overshadowed by the striking

The Smithsonian National Portrait Gallery unveiled their official portraits of former president Obama and former first lady Michelle Obama . How closely do you think they resemble the Obamas? USA TODAY.

a woman posing for a picture: Michelle Smith in New York last week. (Dimitrios Kambouris/Getty Images) © Provided by WP Company LLC d/b/a The Washington Post Michelle Smith in New York last week. (Dimitrios Kambouris/Getty Images) “I just flipped out in the middle of the store,” Smith says. “I didn’t know it was going to be unveiled today. Did everyone else know? Was I the last to know?” Yes, Michelle. You were.

The dress has caused a stir not simply because it will be enshrined in history but also because it has such a central place in such a nontraditional portrait by artist Amy Sherald of a singular first lady. The full-length dress is enveloping, but regal and reassuring.

The dress, Smith said by phone from Paris, is based on one that was in her spring 2017 Milly collection. That season Smith was inspired by a “desire for equality, equality in human rights, racial equality, LGBTQ equality,” she says. One of the recurring elements in the collection were various forms of lacing and ties; the details were meant to suggest a “feeling of being held back … that we’re not quite there yet.” The finish line is still off in the distance.

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After Barack and Michelle Obama 's portraits were unveiled on Monday, the artists spoke about their experiences in an interview on Facebook Live.Published OnFeb. She shows Mrs. Obama sitting against a field of light blue, wearing a spreading gown .

Portrait of Michelle Obama at the National Portrait Gallery in Washington. It has prompted an unexpected art world discussion about realism and its relationship with more conceptual art. “I paint American people, and I tell American stories through the paintings I create,” she said at the unveiling

Although Smith offered Obama many iterations of the original dress, ultimately she chose the runway version with only a slight alteration. The runway gown was open in back. The one Obama wears is more discreet, but includes the same corset-style lacing.

Michelle LaVaughn Robinson Obama by Amy Sherald, oil on linen, 2018. National Portrait Gallery, Smithsonian Institution. © Provided by WP Company LLC d/b/a The Washington Post Michelle LaVaughn Robinson Obama by Amy Sherald, oil on linen, 2018. National Portrait Gallery, Smithsonian Institution. Milly is not a rarefied brand. While it’s designer driven, it’s rooted in American sportswear and with cocktail dresses priced at $850 or so, it falls into the fashion category of affordable luxury: aspirational, but not impossible.

“People have been describing the dress as couture, but the fabric is a stretch cotton poplin,” Smith says. It could be called a worker’s fabric, she adds. Part of the beauty of the dress is that it looks “like couture but it’s made out of something spartan.”

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Sherald's piece is undeniably striking . She painted Michelle 's skin in gray tones—a signature approach Smith told Glamour that she had worked with Michelle 's stylist, Meredith Koop, many times during the Obama presidency and had received a special request for the gown in Michelle 's portrait .

Smith says it was meant to be “a dress that Mrs. Obama could wear in her everyday life, as well as in this iconic portrait .” As Smith also points out, the gown was made in New York City, in the heart of the garment district.

Smith, who co-owns Milly with her husband, Andy Oshrin, manufactures her collection in New York. The dress was chosen months ago, Smith says, and since she already had Obama’s measurements after having created clothes for her in the past, it was easy to work long-distance.

The choice of a Milly dress mimics, in some ways, Obama’s first significant fashion choice as first lady. The suit she wore to her husband’s swearing-in was designed by Isabel Toledo, an independent female designer working and manufacturing in New York. Smith is similarly situated.

Toledo’s work was more rarefied, reflecting Obama’s elevation to unique circumstances. Smith’s is more down-to-earth, perhaps acknowledging Obama’s new role as simply a citizen. Still, it manages to draw attention to one of the elements that made her tenure in the White House so stylistically memorable: informality mixed with protocol.

“I think what makes [the dress] so modern is the element of comfort — there are pockets in the side seams — and of being confident,” Smith says. The dress is sweeping and grand, but not precious. “It’s very much of our time.”

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